Dia angkasa

Edisi

Cet. 1

ISBN/ISSN

9786233100267

Deskripsi Fisik

320 p.: 19 cm

Judul Seri

-

No. Panggil

823 Sar d

Dia aurora

Edisi

Cet. 1

ISBN/ISSN

9786233100458

Deskripsi Fisik

320 p.:ill.; 19 cm

Judul Seri

-

No. Panggil

823 Sar d

Perkembangan teater indonesia pada akhir abad XX

This article aims to describe: 1) the tittles of drama that shown in 1999; 2) groups of theatre that involves at theatre shows in 1999; 3) the map of theatre shows that noted down in print media during 1999. The object of this article are news articles or theatre reviews that publicated on print media likes magazine, news paper, or tabloid during 1999. The collected data was selected chronologi…

Kisah perjalanan bratasena mencari tuhan: sebuaah kajian Ma 'Rifat

Dewaruci is a wayang play revealing the story of Bratasena in finding his God and himself. As the Dewaruci play is regarded as a drama, which is full of ma'rifat values, it can be studied in terms of its ma'rifat meaning. This writing studies the meaning of ma'rifat in the story of Dewaruci. The study is focused on (1) the long journey Bratasena passed through in gaining ma'rifat, (2) syariat (…

Penataan cahaya dalam panggung pertunjukan: sebuah kajian fungsional

At present, the lighting on the stage is considered as important need. If it is not really understood, it can be fatal for the performance. The lighting in a performance can be employed as one of the parameters for the success and the failure of the performance. A performance is considered as a successful performance when the audiences can catch the ideas the choreographers or the directors int…

Peran sutardji calzoum bachri dan O amuk kapak dalam peta kesusastraan indonesia

This writing discusses the role of Sutardji Calzoum Bachri, especially through his poetry anthology O, Amuk, Kapak (OAK), in Indonesian literary. To discuss Sutardji's role, it needs to understand specifically the Sutardji's poetries structure in his OAK. From the reading on OAK, it seems that there is reformation especially on the typography and the concept of word which cannot be separated fr…

Garis lintang penampang kriya (seni reflekdi jiwa zaman yang amigu)

onsidering facts, it is found out that the ancestor have inherited Indonesia within various sort of art including kriya. It has been created by the ancestor (armorer). It is not an inheritance provided for fulling to sleep the generation, but it is the spirit of the armorers in cheering up the epoch. In recent era, kriyawan as the passing generation of the armorers are to be responsible in chee…

Swara grabah: gamelan keramik di desa kasongan

idea of turning earthenware into musical instruments has not been the result of a chance discovery but, rather, of a creative process of experimentation that started with an inspiration in the 1970s. The idea was then tried out by creating a set of ceramic gamelan or traditional Javanese musical instruments dubbed Swara Gerabah (The Sound of Pottery) in 2002. The experiment was conducted in the…

Kesiapan bernyanyi seorang "publik figur"

he human voice is a musical instrument man already has at birth so it is no wonder that singing is an activity starting early in life. It is an activity considered common for even "public figures" to do. The activity of singing will sound unpleasing when there is inaccuracy in responding to music. Singing should be a good way for the singer to communicate with the listener. So attention should …

Pengajaran sastra berdimensi multikultular

Indonesian can be regarded as the most complete plural country in the world instead of America. In America, it is known a slogan says et pluribus unum, which is similar with bhineka tunggal ika, meaning many for one essence. The last development shows culture varieties constituting the sources of nation conflict. The multidimensional crisis Indonesian nations face has not been over yet.lt requi…